“The classical method begins with a grey underpainting that must be completely dry before adding more colours,” explains Lau. “The ensuing shades emerge from a blend of this grey base and successive, semi-transparent layers of colour, creating a sense of depth. The final hues, often unpredictable, require multiple applications to achieve perfection.”

Born and raised in Hong Kong, Lau focuses his artistic attention primarily on landscapes that are familiar to him – he is passionate about portraying both man-made and natural cityscapes. “Most of my work depicts landscapes from Hong Kong,” he details. “I live on the western side of Hong Kong Island, near the old public cargo loading areas of Kennedy Town and Shek Tong Tsui. They provide sweeping vistas and have always been my go-to spots for inspiration.”